Compared to most other major US festivals, it seems that Bonnaroo has always had the highest expectations to grab the best acts. After all, this is the event that nabbed Paul McCartney and Tom Petty in 2013, Radiohead in 2012, a re-do from Kanye West in 2014, along with Elton John and Lionel Richie (and that’s just the headliners, don’t forget Frank Ocean and Damon Albarn). So when bands like Kings of Leon, Dave Matthews Band, or a (allegedly) lip-syncing Eminem are booked, it’s pretty disappointing for the legions of fans who make the pilgrimage to Manchester, TN.
While this year’s lineup may not have the power of Jack White or the bonafide historical nature of a Macca set or a controversial Yeezy mulligan, it’s still pretty damn good. Like Coachella’s inclusion of Steely Dan, Bonnaroo decided to book another oft-unfairly derided act from the ‘70s in Billy Joel, an inspired choice that’s sure to induce some much deserved critical reevaluation. There’s also Robert Plant, who’s sure to have a setlist boasting a smart blend of Led Zeppelin classics and new songs. For its part, Mumford and Sons will be able to finally headline the festival with a healthy bassist, Ted Dwane, after the lamest (shortest) hiatus ever.
Below the main headliners, though, is an excellent middle slot featuring My Morning Jacket, The War on Drugs, Belle and Sebastian, Caribou, Run the Jewels, Against Me!, and many more. Even acts billed fairly low, like Hiss Golden Messenger and Hurray for the Riff Raff, highlight the festival’s incredibly diverse and exceptionally talented pool of Americana acts. Though Bonnaroo has always had some tricks up its sleeve, welcome and surprising additions ranging from Kendrick to Earth Wind & Fire to Slayer and the David Byrne-led William Onyeabor tribute group will prove that there’s going to be something for everyone.
However, no lineup is perfect. Like any wide-ranging festival that attempts (and usually succeeds) in pleasing most music fans, there are undoubtedly going to be some duds. Notable omissions like Modest Mouse and Death Cab for Cutie seem glaring while having deadmau5 headline and human vanilla wafer Hozier take a high billing seems a bit off. Despite all that, it’s not going to take away the fact that Bonnaroo is still a must-see destination festival.
How do you follow up a British piano-playing superstar like Elton John as your legacy headliner? With the Long Island-bred “Piano Man” himself, Billy Joel, of course. And as great as those “Tiny Dancer” and “Crocodile Rock” sing-alongs were, it’s easy money there will be even more voices ringing out over the course of Joel’s surely festival-closing set. “Movin’ Out (Anthony’s Song)”, “New York State of Mind”, “My Life”, “You May Be Right”, “Only the Good Die Young” – the guy’s list of hits just goes on. Hearing them in succession in that big ol’ field is going to be a highlight for many this summer. And if you have any doubts, just go back and read some of our past live coverage on Joel. To quote Paul de Revere, “It was one of the best live sets I’ve ever seen from anybody anywhere.” –Ben Kaye
Robert Plant and The Sensational Space Shifters
Photo by Nathan Dainty
Between the still ongoing Led Zeppelin reissues and his 10th solo album, lullaby and… The Ceaseless Roar, Robert Plant’s 2014 may have eclipsed that of any classic rocker. lullaby… was backed by The Sensational Space Shifters, a band first introduced to Plant fans on his 2012 Live in London album. With members ranging from bassist Billy Fuller and keyboardist John Baggot (both collaborators of Massive Attack and Portishead) to Gambian multi-instrumentalist Juldeh Camara, The Shifters form one of the most musically cognizant groups Plant has worked with. Bonnaroo is their biggest planned show of 2015, though it’ll follow three Lollapalooza appearances (in Chile, Argentina, and Brazil). –Michael Madden
Tears for Fears
Photo by Autumn Andel
Don’t call it a comeback. Tears for Fears have been slowly making the rounds the last couple years – with 2014 being their most active year since the release of their last album in 2004. They played the initial Project Pabst in Portland, released a covers EP (including songs by Arcade Fire & Animal Collective), went on a small tour, and even appeared on the podcast Comedy Bang! Bang!. This year looks to be even bigger – with a new album, an accompanying tour, and a prime set at Bonnaroo. AC Entertainment has always had a knack for these kinds of bookings: bands from a different era who seem to not fit the festival on the surface, but make sense once you see them on the farm. Tears for Fears is one of the best possible versions of this type of booking, with plenty of mega-hits that will make for a big, cross-generational sing-along. –Carson O’Shoney
Mumford & Sons
Derision aside, this is a powerhouse of a booking. For one, Mumford and Sons haven’t played an official show since September 2013 (their Glastonbury Gentlemen of the Road stage doesn’t count). And two, makeup bookings are a surprisingly rare thing in festival land, especially headliners. Roovians still bummed by the band’s unfortunate cancellation in 2013 now have their second chance. Add one and two together, and you’ve got the formula for one hell of a comeback gig. –Ben Kaye
My Morning Jacket
My Morning Jacket are Bonnaroo, so while they’re already booked at loads of festivals this summer, this one’s special. They’ve been on the farm a grand total of six times, and their seventh marks their third as a top 10 act. Some will argue over why they’re not headlining, but really, it doesn’t matter where they are on the bill — their set will be epic either way. They’re known for bringing out special guests (here’s looking at you, Dawes and Rhiannon Giddens) and melting faces for hours on end. And if they have another late night spot like they did in 2008, expect another performance for the ages. With a pair of new albums coming over the next two years (the first due in April), they’ll have plenty of new material to tear through until the wee hours of the morn. –Ben Kaye
Unlocking the Truth
The lowest billed act on the poster is actually one of the most exciting and interesting of the whole festival. SuperFly has carved out a nice niche of metal music at the fest over the years ever since Tool headlined in ’07, so bringing in these headline-grabbing youngsters makes a lot of sense from a curation standpoint. But rather than just a curiosity, you have to give major kudos to the band members themselves. With no member over the age of 14, Unlocking the Truth have managed to go from Times Square busking to Bonnaroo performers before most of us even kissed a girl. And Bonnaroo isn’t just going to book someone because they get media attention and a $1.7 million record contract; they have to be able to play. They’ll get a chance to work out some kinks of performing in front of a festival-sized crowd when they play Rock on the Range in May, so this is shaping up to be a Thursday night show not to be missed. –Ben Kaye
Best in Today’s Americana
Photo by Ben Kaye
One of the biggest surprises of Bonnaroo’s lineup reveal is how jam-packed it is with some of Americana’s best acts. Even with alt-twang stylings of My Morning Jacket nearly topping the bill, the most exciting additions come with the newcomers of Sturgill Simpson, whose breakout album, Metamodern Sounds in Country Music, deserved all the praise it got, and Hurray for the Riff Raff, who finally have a chance to woo the festival crowds. Even Hiss Golden Messenger, a band known for being an obscure hidden treasure, has finally made its Merge-assisted transition to being a festival draw with a respectable placing. Coming in from Wisconsin are the lovable collective Phox, a six-piece fronted by the magnetic Monica Martin. Playing songs from the band’s infectious debut album like “Slow Motion” and “1936”, they’ll appeal to the Mumford and Sons crowd without pandering to it. Not to mention roots mainstays Trampled by Turtles and Carolina Chocolate Drops’ Rhiannon Giddens, who will be making her solo debut. Look for “Arkansas-soul” crooner Christopher Denny and Austin, TX one man band Shakey Graves to make an impression with early sets as well.
Photo by Heather Kaplan
Even bands that don’t fit cleanly into the broad catchall definition of Americana, like Benjamin Booker, Strand of Oaks, and The Districts, will be playing the Manchester, TN, festival. All three acts are already established live draws (the ferocity from Booker and the Districts alone make them worthy draws despite their youth), and all three have skirted folk and blues in some capacity. Before Strand of Oaks released Heal, his bombastic and cathartic ‘80s rock love letter, he was known for his quiet, acoustic-driven folk songs that were often minimal and earthy. For his part, Booker blends all kinds of American music from blues to punk in order to produce his whiplash-kinectic brand of rock while the Districts did its best Dylan impression for the band’s biggest hit, “Funeral Beds”. Armed with an astute knowledge of American musical traditions and a progressive mindset to make these inspirations sound fresh, these bands will have well-rounded and somewhat twangy sets you won’t be able to find at any other major festival. –Josh Terry
Photo by Nina Corcoran
King Kendrick has climbed the Bonnaroo lineup poster so fast that he has nowhere left to go. A major festival appearance makes sense since he’s dropping an album this year, but he played ‘Roo in both 2012 and 2013 (breaking through with good kid, m.A.A.d city in between), and an appearance at the fest a mere two years later seemed highly unlikely. Regardless of the logistics, he’s been slaying his live performances lately – just take a look at his visit to The Colbert Report. While the minds behind the fest would have done well to book one of his Black Hippy affiliates, too, we really can’t complain about another set from K.Dot. –Danielle Janota
Photo by David Brendan Hall
Slayer has been no stranger to festivals in recent years, but they’ve mostly been limited to niche or metal festivals: Heavy MTL, Fun Fun Fun Fest, Riot Fest, etc. Bonnaroo will be the biggest festival date they’ve played in the US, and no one saw it coming. Heavy metal usually finds its way to the farm every year, but only in the form of a few smaller bands. They typically don’t book any metal acts bigger than, say, Mastodon, but that changes this year. Other than Metallica in 2008, this will be the most epic and rowdy metal show ever played on a farm in Tennessee. They weren’t involved in many (if any) rumors this year, but we’re definitely glad it’ll be raining blood at Bonnaroo. –Carson O’Shoney
Earth Wind and Fire
Earth Wind and Fire have played countless high-profile events – from the Super Bowl to the White House Governor’s Dinner to the New Orleans Jazz Fest – but this is a groovy first for the Farm. The R&B legends have been pumping out hit after hit for 46 years straight, so aside from the hits, it’s a mystery what infectious jams they have in store for Bonnaroovians. At least we know the forecast: sunshine. –Danielle Janota
Atomic Bomb! Who is William Onyeabor?
The frequently cowboy-hatted Nigerian electro-funk pioneer William Onyeabor hasn’t released an album since the ‘80s, having abandoned music for his Christian faith, but he’s been experiencing a new level of fame thanks to two reissue projects led by David Byrne and his Luaka Bop label: the nine-song Who Is William Onyeabor? compilation and a nine-CD box set. Lengthy compositions like the 10-minute “Good Name” are infinitely funky, while Onyeabor’s signature song, “Fantastic Man”, is more compact and riff-based. Past live productions have an all-star collective led by Byrne and featuring Sinkane, Money Mark, and Pat Mahoney, among others, though an exact lineup is as yet unconfirmed. –Michael Madden
Photo by Ben Kaye
Coachella, Governors Ball, and Shaky Knees all booked Ryan Adams following his string of releases in 2014 (which included, most notably, his Grammy-nominated self-titled album), but Bonnaroo did not. It’s too bad because, while his alt-country beginnings might seem antiquated, he continues to retain those Americana principles to one degree or another, bringing a meditative style that’s missing from the top three lines of this year’s bill. Sure, a setlist that’s too intimate could contradict the idea of a festival altogether, but Adams’ voice and strums ringing out in the Tennessee sky would’ve been apt considering that some of his influences (like George Jones) began building their legacy in Nashville an hour away. –Michael Madden
Of all this year’s omissions, The Decemberists seemed like perhaps the easiest shoe-in. No, they weren’t hinted at in the clues, but as they’re fresh from their hiatus and just a week away from the release of their new album, What A Terrible World, What A Beautiful World, it just made sense. Their indie folk stylings are a festival favorite, and the lineups reliance on Americana sounds this year makes the omission even more glaring. –Ben Kaye
Photo by Ben Kaye
Modest Mouse could appear on the omissions page of this article pretty much every year. They made their first and only appearance on the farm in 2005, right before Bonnaroo really took off and became the world renown festival we know and love today. Since then, the fans cry for them to play every year; Inforoo and r/bonnaroo have been flooded with “Modest Mouse next year?” threads. (Just Google “Modest Mouse Bonnaroo” and you’ll see what I mean.) With Modest Mouse’s long-awaited new album out in March, it seemed likely that this was the year all those fans got their wish. Once again, that proved to be just wishful thinking, as they’re absent once again and reclaim their spot on this very list. Better luck next year? –Carson O’Shoney
Photo by Robert Altman
Perhaps Future Islands would have made too much sense? For the past year or so, the dance-punk group has received massive praise for Singles and their emotionally raw live performances. Not to mention, they will have graced most of the major festivals by the end of the 2015 season (except Bonnaroo of course). They would have been such a fitting choice – perfect for avid fans that missed them last year, but still enjoyable for those that stumble upon them. –Danielle Janota
Photo by Heather Kaplan
This one just hurts. St. Vincent has one of the best live shows out there, and she’s brought it to the farm for each of her last three album cycles, including in 2012 for her collaborative LP with David Byrne, Love This Giant. Why skip it this time? Her latest self-titled effort was a year-end favorite, and there’s a nice gap in her recently announced tour schedule. The stars were all aligned, but alas, no Annie Clark this time, Bonnaroo. –Ben Kaye
Death Cab For Cutie
Photo by Steven Arroyo
In general, this year’s Roo Clues were as tough as ever with room for debate on just about every one. However, there was one that seemed to have a universally accepted answer almost immediately. A cute baby, wearing a t-shirt of a coffin on wheels with a 666 license plate — obviously Death Cab For Cutie, right? The fact that they announced a new album less than a week before the lineup dropped made it seem like an even bigger lock. Well, apparently everyone was wrong, because once all the BLAM dust settled they were nowhere to be found on the lineup. Was it an intentional misdirection (some are now suggesting it was actually meant to represent Tears for Fears)? Did they cancel last minute? Could they still be added later on? We may never find out for sure, but either way they count as one of this year’s biggest omissions. –Carson O’Shoney
Photo by Brad Bretz
It’s not deadmau5’ music that makes him uninteresting. In fact, his most recent album, while(1<2), was generally well-received. It’s the fact that he’s one of four or five EDM acts that gets rotated year after year. These artists and the massive crowds they attract have created such an overwhelmingly negative stereotype for EDM, that deadmau5, himself, has condemned the genre from time to time. EDM is a growing, evolving world. If festival organizers looked beyond the same boring headliners, they might be able to devillainize it. –Danielle Janota
Photo by Breanne Joyce
Don’t get us wrong, Hozier is a captivating performer. His SNL performance made that clear. But given his recent mainstream success, his booking isn’t the least bit remarkable. The bluesy crooner is among our “Least Interesting” for Coachella, Bonnaroo, and most likely all the other large fests he’s destined to play this season. It’s unfortunate, but unavoidable for festival artists that break the Top 40. –Danielle Janota
In some ways, Guster was ahead of the curve. They were doing the jangly acoustic folkpop thing long before the market became oversaturated with the hey-hos of the Lumineers, Of Monsters & Men, et al. The problem is, they have nothing to differentiate themselves from the rest of the imitators, and their songs — especially recent ones — aren’t particularly memorable. They may draw a crowd on the farm based on name recognition alone amongst indie kids of a certain age, but their set will probably be a forgettable mid-afternoon appearance, making this a bland, unremarkable booking. –Carson O’Shoney
Photo by David Brendan Hall
Admittedly, the guys do put on a full-throttle live show. At least they did when I saw them in 2012 and they’d actually had fresh music out. But the oddly eclectic electronic rockers haven’t done much in three years besides tour. There’s word that a new album will be announced soon, but we just haven’t heard enough (ie, anything) to warrant us getting excited for an AWOLNATION Bonnaroo performance. How that leads to billing above acts like Jamie XX and Against Me!, I’ll never know, but this is coming from the guy who’s still shaky about Hozier getting such high billing this season, so what do I know? –Ben Kaye